马歇尔·伯曼（Marshall Berman） 任教于美国纽约市立大学，讲授政治理论和城市生活研究。他的另一部主要著作是《本真性政治学：激进政治学与现代社会的出现》。

马歇尔·伯曼（Marshall Berman） 任教于美国纽约市立大学，讲授政治理论和城市生活研究。他的另一部主要著作是《本真性政治学：激进政治学与现代社会的出现》。

Marshall Berman's "All That Is Solid Melts Into Air" is widely acclaimed as one of the greatest books on modernity. A kaleidoscopic journey into the experiences of modernization, the dizzying social changes that swept millions of people into the capitalist world, it dexterously interweaves an exploration of modernism in art, literature, and architecture. --This text refers to a...(展开全部)

A kaleidoscopic journey into the experience of modernization. All That Is Solid Melts into Airis widely acclaimed as one of the greatest books on modernity. A kaleidoscopic journey into the experience of modernization, it captures the dizzying social changes that swept up and transformed the lives of millions of people. Berman delves into the aesthetic and intellectual controve...(展开全部)

Marshall Berman's "All That Is Solid Melts Into Air" is widely acclaimed as one of the greatest books on modernity. A kaleidoscopic journey into the experiences of modernization, the dizzying social changes that swept millions of people into the capitalist world, it dexterously interweaves an exploration of modernism in art, literature, and architecture. --This text refers to a...(展开全部)

A kaleidoscopic journey into the experience of modernization. All That Is Solid Melts into Airis widely acclaimed as one of the greatest books on modernity. A kaleidoscopic journey into the experience of modernization, it captures the dizzying social changes that swept up and transformed the lives of millions of people. Berman delves into the aesthetic and intellectual controve...(展开全部)

Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's...(展开全部)

Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's...(展开全部)

Divided into two parts, this book examines the train of social theory from the 19th century, through to the 'organization of modernity', in relation to ideas of social planning, and as contributors to the 'rationalistic revolution' of the 'golden age' of capitalism in the 1950s and 60s. Part two examines key concepts in the social sciences. It begins with some of the broadest c...(展开全部)

This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the eighteenth to the late twentieth century. It offers a detailed account of the different displays that have been created - the colors of the background walls, lighting, furnishings, the height and density of the art works on show - and it t...(展开全部)